Obverse
发表于 2025-3-25 07:12:26
Anatomy of Atmosphere,The concluding chapter, ., is a taxonomic lexicon of key themes foregrounded in the book and grouped thematically to indicate potential conditions for the articulation of atmosphere in cinema and architecture. Each word is given a brief definition, followed by its etymological and metaphorical implications, and concluding with a list of cognates.
overhaul
发表于 2025-3-25 07:57:26
Postscript,Raymond Burnier’s frontispiece photograph to Stella Kramrisch’s seminal ., first published in 1949 and still in print, fairly well resumes everything I had wanted to say about atmosphere, cinema and architecture.
咒语
发表于 2025-3-25 15:11:16
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Nonporous
发表于 2025-3-25 17:47:54
https://doi.org/10.1007/978-3-031-13964-2Atmosphere; Cinema; Architecture; Ambiance; Place; Tectonic approach
BRIBE
发表于 2025-3-25 22:55:05
978-3-031-13966-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
left-ventricle
发表于 2025-3-26 01:40:49
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掺和
发表于 2025-3-26 05:14:53
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敌意
发表于 2025-3-26 09:37:20
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Density
发表于 2025-3-26 15:21:05
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暴发户
发表于 2025-3-26 19:46:37
S. Suzuki,N. Shibata,H. Kobayashivestigated through Martin Heidegger’s treatment of . or attunement as it relates to place and ., or Being, as “being-the-there”. There follows an extended treatment of the mood of melancholia as an exemplary aporetic condition, particularly in the affective musical setting of Eric Satie’s ..