到凝乳 发表于 2025-3-21 16:40:31

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asthma 发表于 2025-3-21 22:01:04

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合乎习俗 发表于 2025-3-22 00:47:04

https://doi.org/10.1007/978-1-349-21099-2spero deserves redemption, as he deserves our applause: he has brought things to a happy end by forgiving those who have trespassed against him. The Christian overtones are unavoidable. But Dimetos has been unable to forgive, or be forgiven.

驾驶 发表于 2025-3-22 05:14:08

,The ‘Statements’ Plays,’s wig and padding has his cell mate John — and us — falling about with laughter. ‘You call laughing at me Theatre?’ the big man exclaims, resentfully. ‘Who cares’, comes the reply. ‘As long as they’ (John sweeps his arm to include both imaginary and real audiences), ‘as long as they listen at the end!’

tic-douloureux 发表于 2025-3-22 11:12:56

,Man Alone: ‘Dimetos’ and ‘The Guest’,spero deserves redemption, as he deserves our applause: he has brought things to a happy end by forgiving those who have trespassed against him. The Christian overtones are unavoidable. But Dimetos has been unable to forgive, or be forgiven.

Conclave 发表于 2025-3-22 14:04:26

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Debility 发表于 2025-3-22 19:53:03

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认为 发表于 2025-3-23 00:14:41

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亲密 发表于 2025-3-23 04:45:22

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走调 发表于 2025-3-23 09:21:55

Introduction,ed to the windows. But the journalists, theatre people and assorted friends who packed the new ‘Rehearsal Room’ of the African Music and Drama Association in Dorkay House were gripped as never before by a passionate duet which probed and revealed the feelings associated with that perennial South African subject — race.
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查看完整版本: Titlebook: Athol Fugard; Dennis Walder Textbook 1984Latest edition Macmillan Publishers Limited 1984 Africa.contemporary literature.history of litera