谴责
发表于 2025-3-21 19:37:00
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掺假
发表于 2025-3-21 22:41:06
https://doi.org/10.1007/3-540-08347-2t a reflection of the perceiver, or an enabler of recognition of the beauty of the human self. This idea is explored through a focus on Yuriko Lochan’s own work as a painter, which is partially driven by a search for an inner beauty reflected in the beauty of the external world.
尖牙
发表于 2025-3-22 02:35:53
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Asseverate
发表于 2025-3-22 08:07:41
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Oafishness
发表于 2025-3-22 10:56:44
Sophia Studies in Cross-cultural Philosophy of Traditions and Cultureshttp://image.papertrans.cn/b/image/162751.jpg
因无茶而冷淡
发表于 2025-3-22 13:49:56
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ALLAY
发表于 2025-3-22 17:26:20
Christian Choffrut,Serge Grigoriefftuation. She emphasizes the role that Western art critics and the market have played in overthrowing the traditional requirement that art exhibit aesthetic value (in the sense of “sensuously pleasing” and “beautiful”) and in opening the range of what is considered permissible. She suggests that the
Creditee
发表于 2025-3-22 22:49:37
Nikita V. Kitov,Mikhail V. Volkover at the center of attention, it has rejected the significance of the latter. In contrast to this trend, Lorand argues that beauty is an essential feature of art, and the value of an artwork amounts to the degree of its beauty. This understanding of artistic value supports the claim that the creati
开始从未
发表于 2025-3-23 03:11:51
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辩论的终结
发表于 2025-3-23 08:21:19
,Laplace’s Equation and Poisson’s Equation,oncepts of beauty go back to Plato, the Platonic ideal that formed the basis of Renaissance art. However, for our purposes, attitudes to beauty from the Enlightenment onwards had a direct effect on representations of non-western peoples, especially Africans. Mitter takes the example of Hogarth’s wor