Pamphlet
发表于 2025-3-26 23:41:24
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Oligarchy
发表于 2025-3-27 04:39:17
Introduction,works of art that represent animals in the main categories of human–animal dependency—such as food, clothing, and transport. As atypical forms of autobiography, animals are represented within a patriarchal tradition, where the visual language of their “story-making” is composed of binary oppositions
Tonometry
发表于 2025-3-27 08:17:04
A New Breed: The Cat as Scapegoat in Edenic and Utopian Imagery,s in the works of late Medieval and early Renaissance religious depictions of Eden. Cats were represented in a myriad of symbolic postures and gestures as duplicitous in myth, biblical narrative and contemporary thought. Beliefs regarding Eve’s sexual transgressions were gleaned from scriptural and
Obstacle
发表于 2025-3-27 11:49:14
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Flavouring
发表于 2025-3-27 15:10:39
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Obvious
发表于 2025-3-27 17:55:47
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疾驰
发表于 2025-3-28 01:41:10
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LIMN
发表于 2025-3-28 02:43:08
Absent Referents: Bristly Brushes,he crafting of brushes in the works of Frans Snyders and Hans Holbein. As invisible incidentals these animals’ lives became a “necessary loss” in the realm of art making. Literally present as brushes and pencils, the coats of their bodies were corporeal sacrifices to the art of painting. Inter-speci
外露
发表于 2025-3-28 07:04:46
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诱惑
发表于 2025-3-28 11:10:22
2634-6672 intings ofWilliam Merritt Chase whose glazing techniques demonstrate an artistic approach that honors fishes as sentient beings.978-3-030-78835-3978-3-030-78833-9Series ISSN 2634-6672 Series E-ISSN 2634-6680