flaggy
发表于 2025-3-25 07:20:01
https://doi.org/10.1007/978-1-4020-5656-7occupation with denouncing grand narratives. This immanence is vibrant, conflicted, and open. The final chapter focuses specifically on the ethical implications of thinking about the form of life from an artistic position.
Incumbent
发表于 2025-3-25 09:16:47
Creating Contemporary Immanence,occupation with denouncing grand narratives. This immanence is vibrant, conflicted, and open. The final chapter focuses specifically on the ethical implications of thinking about the form of life from an artistic position.
制定法律
发表于 2025-3-25 13:40:39
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Friction
发表于 2025-3-25 19:15:33
https://doi.org/10.1007/978-3-030-54772-1Tino Sehgal; Nietzsche; Walter Benjamin; Passagen-Werk; Duchamp; Warhol
Stable-Angina
发表于 2025-3-25 23:59:03
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可能性
发表于 2025-3-26 03:14:54
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斥责
发表于 2025-3-26 07:07:12
Pioniere der Extremophilenforschung,stic creations. For six weeks in 2009, Sehgal’s performative piece, ., occupied the entire Guggenheim museum in New York. Emptied of objects, the modernist museum was filled instead with people who moved up the rotunda while having both stylized and unscripted conversations. . involved hundreds of “
变色龙
发表于 2025-3-26 12:01:11
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污秽
发表于 2025-3-26 13:05:37
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天真
发表于 2025-3-26 19:08:53
https://doi.org/10.1007/978-1-4419-6478-6zsche rejected the notion of art as a leisure activity. Instead, he argued that it was one of the most fundamental human activities. Nietzsche’s work summons us to become the artists of our lives. A paired interlude reads Nietzsche’s invocation against Kubrick’s last film, . The coupling of Nietzsch