INEPT
发表于 2025-3-21 19:25:35
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宽容
发表于 2025-3-21 22:39:45
Colin Renfrew: A Conversation. In this book, there are a number of younger practitioners adopting creative practices in their archaeological work. We want to try to find ways to frame the type of work they’re trying to do. We think that perhaps some reflections from you on your life and your work might help us think critically
Fantasy
发表于 2025-3-22 04:05:12
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grandiose
发表于 2025-3-22 06:42:54
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可忽略
发表于 2025-3-22 10:15:23
Interface I: Day of the Figurineslica Cycladic figurines were placed in the building and its grounds. In the days that followed, some figurines were moved, some destroyed, some stolen, some collected, and some disappeared completely. Few were recorded and documented.
抛射物
发表于 2025-3-22 16:55:09
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或者发神韵
发表于 2025-3-22 19:40:33
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省略
发表于 2025-3-23 01:18:18
Another Proof of the Preceding Theory: Film, Materialities and Stonehengeack and white suits. All of WE play the same instruments—guitar or keyboard—and make the same motions. All of WE’s songs begin with WE: WE want to hold your hand; WE will always love you; WE will be your father figure. WE are indistinguishable, substituting the collective in place of the individuali
notice
发表于 2025-3-23 04:27:07
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无能力之人
发表于 2025-3-23 09:15:23
Dust and Debitage: An Archaeology of Francis Bacon’s Studioing this project, archaeologists were employed to deconstruct or ‘excavate’ the contents of Francis Bacon’s painting studio in London, and meticulously reconstruct the room at Dublin City Gallery The Hugh Lane. The studio had long been renowned for its wondrously chaotic contents, its floor strewn w