Resign 发表于 2025-3-28 16:42:05
http://reply.papertrans.cn/17/1613/161201/161201_41.pngAspirin 发表于 2025-3-28 21:43:24
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https://doi.org/10.1007/978-3-642-45779-1 Among the reliefs at sixth- and fifth-century B.C.E Persepolis, carved on some of the doorjambs, is the Achaemenid king shown beneath a parasol as if moving from one building to another. The parasol depicted in these reliefs is compared with the remains of one actually excavated at Persepolis.出处 发表于 2025-3-29 03:55:41
Katja Lohmann,Sebastian Pyka,Cornelia Zangery AD in consideration. This imitation system starts with the original coinage, which is the starting point of imitations, and is ending with a new image of coinage. It’s an attempt to organize all these different kinds of imitations. Therefore we can differ between naturalistic, barbaric and abstract embodiments.Felicitous 发表于 2025-3-29 07:46:15
Kamal-Aldin Niknami,Ali HozhabriWritten by a large number of scholars from around the globe.Provides information of one of the most important regions of the cradle of civilization.Presents fascinating archaeological data for the firSimulate 发表于 2025-3-29 13:01:39
University of Tehran Science and Humanities Serieshttp://image.papertrans.cn/b/image/161201.jpg寒冷 发表于 2025-3-29 17:10:20
http://reply.papertrans.cn/17/1613/161201/161201_47.pngDRAFT 发表于 2025-3-29 20:31:21
http://reply.papertrans.cn/17/1613/161201/161201_48.png鼓掌 发表于 2025-3-30 02:49:27
Some Notes on the Numismatic Evidence for Imitations in Iran from Third to First Century B.C.,y AD in consideration. This imitation system starts with the original coinage, which is the starting point of imitations, and is ending with a new image of coinage. It’s an attempt to organize all these different kinds of imitations. Therefore we can differ between naturalistic, barbaric and abstract embodiments.粗糙 发表于 2025-3-30 05:33:31
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