不可比拟
发表于 2025-3-28 15:31:14
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针叶类的树
发表于 2025-3-28 21:06:50
Justice: The Law of the Law,reading of the first part of . (1991c):. this is the piece I wish to present to you today. In its original setting, this short text already tackled applying or applied Derrida: it was presented in a political theory seminar which dealt mostly — as such things often do — with thinkers like Rawls and
教唆
发表于 2025-3-28 23:31:51
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cacophony
发表于 2025-3-29 03:20:07
,Derrida’s Others,954, 389). what Derrida means by ., for example in the sentence I have quoted as an epigraph. Derrida’s reflections on the other take their place in the context of a melange of contradictory assumptions about otherness in current critical thought. As opposed to Lacan, for example, for whom, in spite
Vo2-Max
发表于 2025-3-29 08:45:09
(Touching on) Tele-Technology,). Barely existent, and barely existent without a strange kind of cathexis, it hooks up to a rhetoric that might be codified according to the linked but divided investments analysed in Freud’s ‘On the Universal Tendency to Debasement in the Sphere of Love’: overvaluation and denigration (Freud 1984,
hieroglyphic
发表于 2025-3-29 13:16:02
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剧毒
发表于 2025-3-29 16:56:46
Derrida on Television,cularly rewarded when the title in question entitles a work of fiction, as Derrida has shown with Kafka’s . ., Poe’s ., Baudelaire’s ‘La fausse monnaie’, and of course Blanchot’s ., to name only a few examples. I mention this now because, about to speak as part of the programme of this conference ti
APRON
发表于 2025-3-29 20:26:29
Book 1996cs, disciplines and ways of thinking, providing innovative and inventive insights into the work - and application - of Jacques Derrida on a diverse range of themes including Irish identity, communication, ethics, love, tele-technology, Victorian studies, the limits of philosophy, translation, othern
骇人
发表于 2025-3-30 03:56:25
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格言
发表于 2025-3-30 04:22:27
https://doi.org/10.1007/978-3-0348-5390-3g campaign to show that the novel should not be thought of as imitating the real but rather as producing ‘the effect of the real’. Several critics, including Norman Bryson in . (Bryson 1983), have discussed the Quattrocento tradition to establish that even the most life-like image ensues from specific modes of visual representation.