Cabinet
发表于 2025-3-27 00:08:08
Introduction,nding ways of starting conversations about sexual health are complex. It discusses OPOS, a participatory theatre-led project for understanding sexual health and considers what it is that occurs in the moment of theatrical engagement. It notes how the approach of the project might be seen as contrary
pus840
发表于 2025-3-27 04:48:32
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Mast-Cell
发表于 2025-3-27 07:56:31
Chapter 2: The Context for Our Place, Our StageAfrican life: health, crime and safety, and South African theatre. The focus of this analysis moves to a consideration of Nyanga, the township in which the OPOS project was based. Here, Nyanga’s experiences under apartheid and during democracy are described and the chapter examines how the Etafeni T
Derogate
发表于 2025-3-27 10:32:05
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photophobia
发表于 2025-3-27 14:21:14
Chapter 4: ‘If You Want to Be Safe, You Must Stay at Home’: Dialogical Spaces and Repressive Outcomethe negotiation of safe sex led to the establishment of a moral discourse, this chapter asks key questions about the role of the applied theatre practitioner in these settings, ultimately considering if the practice is a form of ‘nudging’ towards more acceptable behaviour. It also considers the tact
Militia
发表于 2025-3-27 20:39:14
Chapter 5: ,: A Subtle Form of Resistance?ls of empowerment and transformation that are sometimes ascribed to in the literature. It considers the applied theatre space as a thinking space, within which, by recognising and noticing things that take place, a moment of meaning-making for participants on their own terms is possible. The term .
松软无力
发表于 2025-3-27 22:38:38
Conclusionder the ephemeral nature of the OPOS project’s research findings and the difficulty in capturing outcomes or impact from our work in applied theatre practice. I note that in this case, within the complex South African situation, the value of this work lies in these moments of hope, defiance and resi
FAZE
发表于 2025-3-28 05:29:14
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debris
发表于 2025-3-28 07:05:51
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拖网
发表于 2025-3-28 13:55:10
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