空洞
发表于 2025-3-23 11:21:42
Behn’s Literary Careeration history, and from a relatively humble, and certainly obscure, background. How did such a woman emerge and go on to become one of the leading and most prolific playwrights of her generation? That question cannot be answered completely satisfactorily, partly because Behn herself fictionalised an
compassion
发表于 2025-3-23 16:41:23
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corn732
发表于 2025-3-23 21:06:34
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LEVY
发表于 2025-3-24 00:21:45
Der ggT und der euklidische Algorithmus,. Nevertheless, when we read an old play its literary and social conventions are necessarily alien. It is useful to outline some of the analytical terms used in the analyses in this book. These may be divided into three areas: linguistic form; imagery; and dramatic form and performance.
FRET
发表于 2025-3-24 02:42:40
Die Struktur der Einheitengruppen ,scious libertines, self-interested, witty and sexy. Nevertheless, Behn uses this hero in a distinctive manner that sets her apart from many of her contemporaries: she objectifies these men through plotting, characterisation, the success of the heroine-tricksters, and the strategic employment of the courtesans’ characterisation.
Pessary
发表于 2025-3-24 07:49:14
Teilertheorie im Ring ganzer Zahlen,aracters. Additionally, the playwright’s plotting enables and encourages the audience to perceive and understand the action and themes in very particular ways. Behn frequently uses structural repetitions and parallels, to which our attention is explicitly drawn.
Anthology
发表于 2025-3-24 12:54:08
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逃避责任
发表于 2025-3-24 16:23:22
Kate AughtersonA useful and accessible guide to the plays of an important seventeenth-century female dramatist. Examines how Aphra Behn addresses the subjects of gender and sexuality in her plays. Explores drama as
谎言
发表于 2025-3-24 20:13:02
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cornucopia
发表于 2025-3-25 01:32:04
Introduction. Nevertheless, when we read an old play its literary and social conventions are necessarily alien. It is useful to outline some of the analytical terms used in the analyses in this book. These may be divided into three areas: linguistic form; imagery; and dramatic form and performance.