脆弱吧
发表于 2025-3-26 22:30:35
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减去
发表于 2025-3-27 04:31:32
CleopatraShakespeare’s Cleopatra, as we have seen, was a boy speaking the words and playing the role of a neo-goddess. The strength of the part lies in characterisation and presence, although there should be no objections if this is fused with beauty.
委屈
发表于 2025-3-27 05:31:07
Lecture Notes in Computer Sciences, Charmian and Octavia. Even if presented at ., the play’s impact would not have lacked immediacy, even intimacy; such was the design of the theatre that no member of the audience would have been more than twenty-five feet from the action.
阴谋
发表于 2025-3-27 13:21:59
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不给啤
发表于 2025-3-27 14:55:34
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饮料
发表于 2025-3-27 18:53:37
Introductions, Charmian and Octavia. Even if presented at ., the play’s impact would not have lacked immediacy, even intimacy; such was the design of the theatre that no member of the audience would have been more than twenty-five feet from the action.
赦免
发表于 2025-3-28 00:15:35
The Four Productions: General Comparisonsented Suzman’s sensual politician; Howard’s despair discovered a strength in Jackson’s calm; Blakely’s weary dissolute found refuge in Lapotaire’s need for fulfilment. But the lovers are a part of a complex pattern which these days depends largely on directorial decisions.
GREG
发表于 2025-3-28 03:49:41
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独白
发表于 2025-3-28 07:50:53
https://doi.org/10.1007/978-3-030-58141-1Shakespeare’s Cleopatra, as we have seen, was a boy speaking the words and playing the role of a neo-goddess. The strength of the part lies in characterisation and presence, although there should be no objections if this is fused with beauty.
使乳化
发表于 2025-3-28 13:38:33
Epameinondas Troulinos,Efthimios Tambourisality of the drama ensures that the final scene neither lapses into sentimentality nor fosters an undue empathy between the audience and the stage. Throughout . Shakespeare’s art has been episodic, and this is continued in vii which can be divided into five contrasting phases: Proculeius and Dolabella; Caesar and Seleucus; Clown; Death; Epilogue.