聋子 发表于 2025-3-28 15:46:00
Einstein und das Ziel der Wissenschaftobility, the mobility of material culture and the status of the human in a world overrun by objects on the move. In so doing, it provides ways of rethinking the relationship between mobility and materiality in the nineteenth century, and in turn, allows us to reconceptualise the theoretical connections between mobility and materiality today.Munificent 发表于 2025-3-28 20:54:30
https://doi.org/10.1007/978-3-642-97711-4e performative and material turn, my analysis demonstrates how paying attention to everyday embodied interactions with the world redefines traditional readings of tourism in Forster’s fiction as an experience that is limited to travellers’ social and cultural practices.CRUE 发表于 2025-3-29 01:02:23
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Mobile Materiality: The Great Exhibition of 1851 and the Mobile-Material Relations of Henry Mayhew’sobility, the mobility of material culture and the status of the human in a world overrun by objects on the move. In so doing, it provides ways of rethinking the relationship between mobility and materiality in the nineteenth century, and in turn, allows us to reconceptualise the theoretical connections between mobility and materiality today.狂乱 发表于 2025-3-29 08:53:16
“A smell! A true Florentine smell!”: Tourists’ Embodied Experiences in E. M. Forster’s Fictione performative and material turn, my analysis demonstrates how paying attention to everyday embodied interactions with the world redefines traditional readings of tourism in Forster’s fiction as an experience that is limited to travellers’ social and cultural practices.CANDY 发表于 2025-3-29 14:06:39
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https://doi.org/10.1007/978-3-0348-5272-2hree forms of mapping: the paper documents carried as navigational tools, the texts produced about upland experiences, and the body. It focuses on four writers’ accounts of their travels through upland landscapes: Dorothy Wordsworth, Samuel Taylor Coleridge, John Ruskin and Elizabeth Le Blond. These光明正大 发表于 2025-3-29 23:43:28
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General Covariance and Conservation Laws,, it looks to some Romantic anticipations of such textual engagements, in a bid to challenge the supposed anti-Romanticism of McGann’s influential argument. Over the course of the chapter, I consider Joseph Cottle and Robert Southey’s editorial work on Thomas Chatterton; I draw attention to Thomas D