取消
发表于 2025-3-23 12:15:33
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征兵
发表于 2025-3-23 17:14:12
Introduction, of 9/11. The plays I examine are written and devised in precarious times—in times of violent conflict in the Middle East, what President George W. Bush called the ‘War on Terror’, as well as the escalating conditions of the Global Financial Crisis, new revolutionary landscapes in the Middle East an
cylinder
发表于 2025-3-23 20:55:17
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Progesterone
发表于 2025-3-24 00:29:12
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遭受
发表于 2025-3-24 05:04:17
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Blood-Clot
发表于 2025-3-24 09:19:02
,The Théâtre du Soleil’s ,,mpany’s inception in 1964. Since then, the Théâtre du Soleil have collectively devised works that respond to national and international political issues by developing aesthetics that draw upon a range of European and Asian performance traditions. In the post-9/11 period, the company turned their foc
NOTCH
发表于 2025-3-24 11:47:09
,Caryl Churchill’s , and ,, Churchill began her career writing radio plays in the 1960s, in the political climate of the Cold War. She was particularly interested in capturing the ambiance of fear and paranoia that was indicative of the Cold War historical moment in the West. With the revival of widespread anxiety during the
妨碍议事
发表于 2025-3-24 15:10:31
,Elfriede Jelinek’s ,,oetry, theatre texts, polemical essays, anthologies, novels, translations, screenplays, musical compositions, libretti and ballets, film and video art; a large body of work that continues to expand at a rapid rate. A child musical prodigy, Jelinek studied theatre arts and art history at the Universi
Meditate
发表于 2025-3-24 20:56:19
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大喘气
发表于 2025-3-25 01:31:28
Book 2016rnet has become a key tool for disseminating anti-war play texts and how online social media forums are changing traditional dramatic aesthetics and broadening opportunities for spectator access, engagement and interaction with a work and the political alternatives it puts forward. .