RAFF 发表于 2025-3-23 13:29:18
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Einführung in die Kostenrechnung New Yorker in Paris in the 1930s, and a writer whose sexual graphicness, Gnosticism and anarchistic politics made him a hero of the sexual and cultural revolution in the 1960s, Miller displayed a surprising affinity with anti-Romantic early modernists. On the cusp between modernism and the counterc宠爱 发表于 2025-3-23 18:14:23
Die Entwicklungsformen der Kostenrechnung,res the dissonance between Romantic American and reactionary European impulses in the Beat Generation. It shows that a movement intended to revive Walt Whitman’s humanistic and democratic agenda was profoundly influenced by pessimistic modernist sources—from Louis-Ferdinand Céline to early twentieth摘要 发表于 2025-3-23 23:10:26
Einführung in die Krankenhaus-Kostenrechnung realist in its Romantic midst. Burroughs’ deadpan accounts of life as a heroin addict, and hallucinatory allegories of state violence, are read as an extension of misanthropic gestures in European modernist works by Louis-Ferdinand Céline and Henry Miller. Where Miller had written with callousnessGraphite 发表于 2025-3-24 06:03:58
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nist legacies after 1945.Timely context for current debates .This book offers a radical new reading of the 1950s and 60s American literary counterculture. Associated nostalgically with freedom of expression, romanticism, humanist ideals and progressive politics, the period was steeped too in opposit共同生活 发表于 2025-3-24 16:45:32
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Einführung in die Krankenhaus-Kostenrechnungines’ and arrive at a more extreme and complex version of Miller’s anti-humanist reversal (Burrroughs. .. London: Flamingo (1933). Orig. ed.: 1959, p. 22). It also posits Burroughs’ undisguised impatience with ‘the masses’ as an honest (and paradoxically more constructive) expression of an impulse expressed covertly in Kerouac and Ginsberg’s work.详细目录 发表于 2025-3-25 00:39:17
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