一个希拉里
发表于 2025-3-21 16:55:27
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overreach
发表于 2025-3-21 23:17:08
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BLINK
发表于 2025-3-22 02:36:00
and ,: The Monstrous Adolescentte of a welter of contradictory feelings, from tremulous hope to savage disappointment. This chapter discusses two forms of the representation of the adolescent body in Japanese animation, the confused and terrifying figure of Tetsuo in Otomo Katsuhiro’s 1988 tour de force . and the confused and com
ELATE
发表于 2025-3-22 07:58:39
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规范要多
发表于 2025-3-22 12:29:53
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染色体
发表于 2025-3-22 13:02:59
Doll Parts: Technology and the Body in psychology of its human protagonist, the final work to be discussed in this section, Oshii Mamoru’s 1995 film . (., although the English title is used as well) also turns inward in its exploration of the possibilities of transcending corporeal and individual identity. Less popular in Japan than ., o
问到了烧瓶
发表于 2025-3-22 19:04:48
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不透明性
发表于 2025-3-23 01:14:05
Carnival and Conservatism in Romantic Comedyslapstick, humor and revolves around what are usually known as “magical girlfriends.”. These magical girlfriends have genuinely magic powers and are somewhat older than the . characters in Miyazaki’s works. Furthermore, in contrast to the rather androgynous Miyazaki heroines, they are sexualized fig
伴随而来
发表于 2025-3-23 05:27:15
No More Words: ,, ,, and “Victim’s History”ividual autobiographical accounts of personal suffering. In this regard, they attempt to “speak for history” in a personal voice that, through the power of vivid images of suffering, destruction, and renewal, becomes a collective voice of the Japanese people. They are both essentially family dramas
glans-penis
发表于 2025-3-23 06:35:35
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