Glower 发表于 2025-3-23 13:39:59
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http://reply.papertrans.cn/16/1578/157750/157750_12.pngAdmonish 发表于 2025-3-23 21:00:46
http://reply.papertrans.cn/16/1578/157750/157750_13.pnghemophilia 发表于 2025-3-23 23:22:39
http://reply.papertrans.cn/16/1578/157750/157750_14.pngElectrolysis 发表于 2025-3-24 04:56:44
http://reply.papertrans.cn/16/1578/157750/157750_15.pngLacunar-Stroke 发表于 2025-3-24 09:47:39
http://reply.papertrans.cn/16/1578/157750/157750_16.png反叛者 发表于 2025-3-24 12:43:28
,Olympianimation — Global Forms and Perspectives,enquiry outlined over the next three chapters in regard to aesthetics, morality, ethics and politics, and finally technology, and continues the cross-disciplinary modes of analysis I have deployed so far. At the outset, then, it is worth noting that Goofy appeared in . (Dir: Jack Kinney, USA, 1942)TOXIN 发表于 2025-3-24 16:41:54
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http://reply.papertrans.cn/16/1578/157750/157750_19.pngcognizant 发表于 2025-3-25 01:04:43
Book 2014Animation, Sport and Culture is a wide-ranging study of both sport and animated films. From Goofy to Goalkeepers, Wallace and Gromit to Tiger Woods, Mickey Mouse to Messi, and Nike to Nationhood, this Olympic-sized analysis looks at the history, politics, aesthetics and technologies of sport and animation from around the globe.