OCTO
发表于 2025-3-28 15:21:52
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Obligatory
发表于 2025-3-28 21:35:09
Book 2015This first full-length scholarly study about animal horror cinema defines the popular subgenre and describes its origin and history in the West. The chapters explore a variety of animal horror films from a number of different perspectives. This is an indispensable study for students and scholars of cinema, horror and animal studies.
搬运工
发表于 2025-3-29 02:33:49
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反抗者
发表于 2025-3-29 04:33:28
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DNR215
发表于 2025-3-29 10:43:13
est. The chapters explore a variety of animal horror films from a number of different perspectives. This is an indispensable study for students and scholars of cinema, horror and animal studies.978-1-349-55349-5978-1-137-49639-3
Postulate
发表于 2025-3-29 15:28:24
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毛细血管
发表于 2025-3-29 15:41:02
,‘They are a fact of life out here’: The Ecocritical Subtexts of Three Early-Twenty-First-Century Aungeness and upside-downness’ (2006, p. 26) and, thus, the uniqueness of Australia. No wonder that the Australian coat of arms features an emu and a red kangaroo, two native animals which were already charged with symbolic meaning in Aboriginal cultures before Europeans arrived Down Under.
殖民地
发表于 2025-3-29 20:17:13
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compassion
发表于 2025-3-29 23:54:23
We Spiders: Spider as the Monster of Modernity in the Big Bug and Nature-on-a-Rampage Film Genres,ly providing the audience with a key to the film’s morality and a link between the cinematic antagonist, the spider, and the lack of pure Christian faith. The inhabitants of Wisconsin appear to live a rather immoral life before the spider arrives, engaged in boozing, adultery, incest and paedophilia
贿赂
发表于 2025-3-30 05:59:57
,, and the Possibilities of Posthumanist Horror,irst century? Do its intertwined representations of animals and humans suggest the possibility of a ‘posthumanist’ horror film? Or, is the animal horror film built upon a distinctly humanist scaffold, dependent on the continual drawing and re-drawing of a fixed boundary line between humans and other