记忆
发表于 2025-3-25 05:41:41
Illegitimate Power, Carnival and Theatre,Merja Makinen (1992) has drawn a distinction between ‘the disquietingly savage analyses of patriarchy’ in the novels of the 1960s and 1970s — . and . — and the ‘exuberant’ last two novels, . and .:
Ballad
发表于 2025-3-25 10:09:43
Postscript,I have deliberately avoided writing a ‘conclusion’ to this critical study. A ‘Postscript’ seemed more appropriate because the book is not intended as a final word on Carter’s work, as if there ever could be, and because I do not believe that Carter herself approved of conclusions.
Introvert
发表于 2025-3-25 12:05:08
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经典
发表于 2025-3-25 16:49:17
Pain and Exclusion,, they recall the Bristol trilogy. For example, Lorna Sage (1994b) has pointed out that . mocks the cultural landscape of the 1960s such as the glamour of underground, countercultural movements; the siege of university campuses; the rebirth of dandyism; and the power acquired by intellectual gurus s
壮丽的去
发表于 2025-3-25 21:36:50
The Last Days,re important differences between them. As Elaine Jordan (1990) points out: . draws on ‘pornography, the Gothic, fairy tales, horror films, boy’s imperial adventure stories, anthropological idylls according to Rousseau or Levi-Strauss, and the fantasies of philosophy, the world as Will and Idea’ (p.
Insulin
发表于 2025-3-26 01:58:56
8楼
泥土谦卑
发表于 2025-3-26 06:33:11
8楼
手段
发表于 2025-3-26 08:50:34
8楼
强有力
发表于 2025-3-26 14:36:52
8楼
Axillary
发表于 2025-3-26 20:47:36
9楼