Malicious 发表于 2025-3-21 19:53:07

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insipid 发表于 2025-3-21 23:41:02

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Entirety 发表于 2025-3-22 02:13:41

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侵略 发表于 2025-3-22 07:17:27

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CANON 发表于 2025-3-22 10:07:40

Aedificio Ergo Sum (I Build, Thus I Am). Early Settlers in the Fertile Crescent,opean Upper Palaeolithic—works of art which mirrored the existential fears of our ancestors and which played an important role as a method of coping with these fears. These works of art also contributed to the emerging ability of conceptualisation and thus helped shaping the first intellectual worlds.

bifurcate 发表于 2025-3-22 16:01:33

Book 2016ion are thus territorial behaviour and ranking, coping with existential fears, and conflict solution with the help of rituals. These in turn, in a process of cultural evolution, are shown to be the roots of the historical and contemporary religions.

Nucleate 发表于 2025-3-22 17:12:44

The Making of Botanical Illustrations, Natural Selection? In: Eckart Voland/Wulf Schiefenhövel (Eds.) The Biological Evolution of Religious Mind and Behavior. Dordrecht, Heidelberg, New York, London: Springer, pp. 51–66) or an outdated notion of evolution was used, as a teleological process, which can ultimately be traced back to Lamarck.

费解 发表于 2025-3-22 23:04:13

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极肥胖 发表于 2025-3-23 02:21:07

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Hormones 发表于 2025-3-23 05:33:35

,A Forest of Symbols—The Art of the European Upper Palaeolithic (40,000–12,000 ybp),Upper Paleolithic. New York: Oxford University Press, pp. 14–33.). In the Upper Palaeolithic, therefore, we see a behaviour with signalling function which was primarily aimed at communicating territorial claims. Existential fears were the causes for this behaviour: fears of losing one’s hunting grounds or safe habitat in a cave.
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查看完整版本: Titlebook: Ancestors, Territoriality, and Gods; A Natural History of Ina Wunn,Davina Grojnowski Book 2016 Springer-Verlag Berlin Heidelberg 2016 Art o