Gullet 发表于 2025-3-21 19:48:25
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From “Autonomous” to “Interactive” Histories: World History’s Challenge to Armenian Studiesare not meant to be definitive statements but rather invitations to further debate and explore the advantages of imagining Armenian history not as autonomous history but as an open arena shaped by mobility and an unfolding of interactive histories.ANIM 发表于 2025-3-22 05:11:49
2731-5592 obal history, Mediterranean studies, Armenian studies, and mThis book rethinks the Armenian people as significant actors in the context of Mediterranean and global history. Spanning a millennium of cross-cultural interaction and exchange across the Mediterranean world, essays move between connected你正派 发表于 2025-3-22 11:39:55
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Kepler und die Lehre von der Weltharmonie,uages and literatures outside their purview. Taking a contemporary Armenian play, Aghasi Ayvazyan’s . (.), as a case in point, this chapter examines the ways in which an absurdist theatrical work produced for a small audience can undermine assertions made by critical discourses on world literature.光明正大 发表于 2025-3-22 17:54:46
,Über Symmetrien in der Ornamentik,logical fault lines tend to lead scholars to adopt assumptions and display biases which are already evident in the manner the republic is treated even in scholarly literature. The purpose of the chapter is to make scholars aware of such pitfalls and biases when writing in the future the history of the Third Republic.modish 发表于 2025-3-22 22:32:56
Between Anatolia and the Balkans: Tracing Armenians in a Post-Ottoman Orderonsidering the predicament of the Muslim populations of the Balkan and the Kurds in Anatolia. Such “intertwined histories and overlapping territories,” to use Edward Said’s words, contribute to the decolonization and denationalization of area studies.乐器演奏者 发表于 2025-3-23 05:14:28
Contemporary Armenian Drama and World Literatureuages and literatures outside their purview. Taking a contemporary Armenian play, Aghasi Ayvazyan’s . (.), as a case in point, this chapter examines the ways in which an absurdist theatrical work produced for a small audience can undermine assertions made by critical discourses on world literature.生锈 发表于 2025-3-23 08:58:53
How to Write the History of the Third Republic or How Not to Write Itlogical fault lines tend to lead scholars to adopt assumptions and display biases which are already evident in the manner the republic is treated even in scholarly literature. The purpose of the chapter is to make scholars aware of such pitfalls and biases when writing in the future the history of the Third Republic.