Glitch
发表于 2025-3-21 16:34:32
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Digest
发表于 2025-3-21 23:43:14
fiction. There are essays on Charles Brockden Brown, Edgar Allan Poe, H.P.Lovecraft, William Faulkner, Robert Bloch, Patricia Highsmith, Shirley Jackson, Stephen King and Suzy McKee Charnas, covering the period from 1798 to 1983. Each essay deals with a major figure in the genre, from Gothic orgina
观点
发表于 2025-3-22 03:01:26
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Foam-Cells
发表于 2025-3-22 06:05:12
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Magisterial
发表于 2025-3-22 09:34:35
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PLE
发表于 2025-3-22 14:57:56
,Robert Bloch’s Psycho: Some Pathological Contexts,c questions about it. It needs to be noted at the outset that this is an odd and difficult task, because of a peculiarity in the story itself: which is that it contains its own psychological explanation, attached near the end as an authenticated account by a psychiatrist of a series of events which were, in fact, closely based on real incidents.
MOTTO
发表于 2025-3-22 18:58:03
https://doi.org/10.1007/978-3-662-34618-1ade death the culminating horror, but had concentrated on making the moment of death itself the ultimate horror. For Poe the horror lies in the animation of death itself. In his imagination, and in his hands as a writer, the terror lies in the vitality of death.
FLACK
发表于 2025-3-22 22:07:55
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Hay-Fever
发表于 2025-3-23 02:36:48
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DRAFT
发表于 2025-3-23 05:37:48
https://doi.org/10.1007/978-3-662-34618-1ence, a figure of departure. For it fell to him to take his place as America’s first fiction writer of consequence, a begetter of that line of ‘romance’ which begins at the turn of the nineteenth century, and which, with key stop-overs at the likes of Poe, Melville and Hawthorne, evolves through to Faulkner and well beyond.