方面
发表于 2025-3-21 17:34:05
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致敬
发表于 2025-3-21 22:34:46
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Kernel
发表于 2025-3-22 03:14:33
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玷污
发表于 2025-3-22 05:25:10
Palgrave Close Readings in Film and Televisionhttp://image.papertrans.cn/a/image/154385.jpg
Harass
发表于 2025-3-22 10:32:47
https://doi.org/10.1007/978-3-642-92460-6g the concept in and outside film criticism—by addressing the works of David Bordwell, André Bazin, and William Empson—it defends an account that sees ambiguity as more than the condition of multiple meanings. Decoupling the concept from its typical associations with “art cinema” and “modernist aest
acrophobia
发表于 2025-3-22 16:03:50
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平息
发表于 2025-3-22 18:26:41
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珠宝
发表于 2025-3-22 23:50:45
Allgemeine Grundlagen der Elektromotoren,cholas Ray, 1950). Suggesting both tenderness and violence, the gestures of the film’s main character Dix (Humphrey Bogart) mark his self-opacity, encouraging the viewer to inquire deeper into his thoughts and feelings. This investigation into a character’s “deeper reason” offers a way to rethink th
Amylase
发表于 2025-3-23 04:22:56
https://doi.org/10.1007/978-3-662-36961-6scene. On the other hand, it attends to how these scenes—taken together, and seen in succession—feel puzzling as a conclusion of what precedes it. Specifically, there is a sense that the movie, defying what has been established and therefore against our expectations, drastically changes its moral po
Ceremony
发表于 2025-3-23 05:56:35
,Die Elektronenröhre als Galvanometer,aging with a performer’s seemingly inadvertent direct look at the camera in . (Fritz Lang, 1956), it details my own experience of this kind of scepticism, reflecting upon my “internal drama of doubt”. But my ability to offer a somewhat convincing reading of the detail, to unpack its suggestions, doe