在驾驶
发表于 2025-3-28 18:04:48
,The First Postwar Security State Invasion Films, 1950–1956,ctively question the implicit imperialist stance of the United States as it took over Great Britain’s role, described by Keith Booker, as the main bearer of the “legacy of colonialism,” making America’s Cold War rhetoric a “substitute for the language of colonialism” (8). Nevertheless, as the decade
Nonflammable
发表于 2025-3-28 21:21:55
http://reply.papertrans.cn/16/1534/153347/153347_42.png
Exposure
发表于 2025-3-28 23:07:40
,Nixon, Post-détente, and Invasion Films in the 1970s,candal and its conclusion, and the growing presence of advanced communication technology in American life made for a complex mix of optimism and pessimism in the culture. Alien others in the world shortly before and after détente reflect the same byplay of monstrosity and positive recognition as in
Medley
发表于 2025-3-29 04:55:55
http://reply.papertrans.cn/16/1534/153347/153347_44.png
偶像
发表于 2025-3-29 10:24:21
Invasion Films and the 1990s Interregnum,otes that as the Berlin wall was brought down journalist Charles Krauthammer had said nations like America need enemies “for purposes of self-identification and motivation” (206). Brands points to a similar mindset in Francis Fukuyama who had predicted an end of history at the time with the cessatio