cauda-equina
发表于 2025-3-26 22:42:55
The Confiding First-Person Narrator,rrative perspective and their subject matter is not entirely within the writer’s experience.. The story “At The Other Place,” published in the . in September 1955, marks a significant change, for in it Munro draws upon her family’s circumstances, employing the first-person narration that, according
改良
发表于 2025-3-27 05:00:05
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IRATE
发表于 2025-3-27 07:07:37
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笨拙的你
发表于 2025-3-27 10:01:36
,The “Queer Bright Moment”,s doing at its highest level,” but she is of the opinion that the stories generally lack “the intense visceral solidity of most of earlier work.” She is disappointed with the title story, which she deems to be “a pale evocation of all the usual Munro elements,” and is also critical of “An Alba
特别容易碎
发表于 2025-3-27 15:43:31
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啮齿动物
发表于 2025-3-27 19:15:05
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itinerary
发表于 2025-3-28 01:23:34
,“A Constant Reworking of Close Personal Material”,tween spaces in a structure she likens to a house, whose enclosed spaces may be “ample and easy, or full of crooked turns, or sparsely or opulently furnished.”. In her essay on the “Rose and Janet” manuscript, Helen Hoy examines the extraordinary lengths Munro will go to before she is satisfied with
尖
发表于 2025-3-28 05:35:09
,“Marooned on Islands of Their Own Choosing”,ome Women,” of a summer so hot “the streets of the town… were sprinkled with water to lay the dust”. recalls the scene Louisa, from “Carried Away,” captures in a letter to soldier Jack Agnew, in the summer of 1917, when she tells of the watering tank dousing the “.” (., p. 8). The startling image fo
Mast-Cell
发表于 2025-3-28 10:18:53
,“Marooned on Islands of Their Own Choosing”,ing at the side of the road, bleeding, the “trickle of pink” oozing from under his head “like the stuff you skim off from strawberries when you’re making jam” (., p. 30). The graphic image is in keeping with the idiolect of both narrator and focalizer, for it is an ordinary, domestic analogy that wo
accessory
发表于 2025-3-28 13:21:53
https://doi.org/10.1007/978-3-322-98704-4ing at the side of the road, bleeding, the “trickle of pink” oozing from under his head “like the stuff you skim off from strawberries when you’re making jam” (., p. 30). The graphic image is in keeping with the idiolect of both narrator and focalizer, for it is an ordinary, domestic analogy that wo