小样他闲聊
发表于 2025-3-23 12:59:55
http://reply.papertrans.cn/16/1523/152234/152234_11.png
钢笔尖
发表于 2025-3-23 15:02:15
http://reply.papertrans.cn/16/1523/152234/152234_12.png
衰弱的心
发表于 2025-3-23 22:07:12
http://reply.papertrans.cn/16/1523/152234/152234_13.png
anarchist
发表于 2025-3-24 01:48:56
http://reply.papertrans.cn/16/1523/152234/152234_14.png
玩笑
发表于 2025-3-24 02:58:12
http://reply.papertrans.cn/16/1523/152234/152234_15.png
surmount
发表于 2025-3-24 10:10:31
http://reply.papertrans.cn/16/1523/152234/152234_16.png
Chemotherapy
发表于 2025-3-24 12:10:21
Introduction,ith other arts, it argues the formal performativity of Moore’s work is key to its radical politics. Bertolt Brecht’s ideas of epic theatre are introduced as a framework for understanding this political aesthetics and the intersections of cartooning, performance, and dissent.
iodides
发表于 2025-3-24 16:23:07
The Marks of the Arts Lab: Comics, Performance, and the Counterculture, transdisciplinary output in relation to visual poetry, psychedelic posters, science fiction, and radical theatre. In doing so it unpacks the relationship between comics and performance, and identifies the reflexive performativity at the heart of Moore’s aesthetics.
GNAT
发表于 2025-3-24 22:21:01
The Play of the Press: Cartooning, Materiality, and the Underground in Print, graphic design, and animation, this chapter analyses how Moore’s newspaper strips not only engaged with urgent political issues, but were activist in form, using Brechtian methods to expose the contingency of reality and socialise the cultural apparatus.
fatty-streak
发表于 2025-3-24 23:42:10
http://reply.papertrans.cn/16/1523/152234/152234_20.png