大酒杯
发表于 2025-3-23 13:27:22
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慢慢啃
发表于 2025-3-23 17:16:56
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affinity
发表于 2025-3-23 19:24:22
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offense
发表于 2025-3-23 22:44:08
The Horror of the Geek: The Geek Archetype in Slasher Film are usually represented with stereotypical characteristics and some major archetypes have been created over the years, such as the virginal archetype, the “sexual transgressor,” and the killer. This chapter examines the representation of the “geek” characters in slasher films and how they affect th
锯齿状
发表于 2025-3-24 04:53:02
Survival of the Smartest?f the nerds depicted on-screen. Yet, CBS’s scheduling of the two series back-to-back illuminates a clear “generational divide” between nerds in their 30s and nerds in their 20s. . depicts three versions of “othered” nerd/geek characters in Clark, Mason, and Emma—what Eglash terms a “nerd network”—al
鬼魂
发表于 2025-3-24 08:56:27
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Obscure
发表于 2025-3-24 10:49:56
978-3-319-88096-9The Editor(s) (if applicable) and The Author(s) 2018
善变
发表于 2025-3-24 16:43:56
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intention
发表于 2025-3-24 22:38:07
Katie Peterson,Melissa Mosley Wetzelnitially, on what it takes to be a nerd or geek, then explores possible personal delineations between the two identities. Bodner then walks the nerd, geek, normal, and hipster into two bars and explores what happens when these four groups interact. Recounting tales of bigotry, exclusion, and the blu
勉励
发表于 2025-3-25 01:52:47
Rebecca Rogers,Meredith Labadies on Twitter. Utilizing the theoretical construct of the ideograph to analyze the way abstractions are marshalled for politicized identity, the chapter traces the ways that the two terms converge and diverge in meaning as used for self-identification. Although the technical-skill overtones of the <g