Virtues
发表于 2025-3-26 23:05:06
Metamorphosis, Trickster and Werewolfer-Face theatre. Its combination of comparatively plain, declarative language with gripping stage images asks for direct perception rather than comprehension or interpretation. This “aesthetics of directness” is made visible by comparing the treatment of love in Ravenhill’s . and Kane’s . on the one hand with that in Dennis Kelly’s . on the other.
nominal
发表于 2025-3-27 01:53:46
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Chameleon
发表于 2025-3-27 08:52:15
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hallow
发表于 2025-3-27 12:04:51
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轿车
发表于 2025-3-27 14:49:03
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发现
发表于 2025-3-27 20:37:02
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Introvert
发表于 2025-3-27 23:24:45
Introduction: Reflections on In-Yer-Face from the Other Side of the Atlantic,hile the In-Yer-Face movement may be over, the influence from it continues to permeate mainstream culture, and he cites the post-In-Yer-Face careers of Jez Butterworth, Martin McDonagh, and Joe Penhall as examples of this point. Rather than being In-Yer-Face, they have now become “Part-of-the-Crowd.”
初学者
发表于 2025-3-28 05:15:08
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表状态
发表于 2025-3-28 09:41:17
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champaign
发表于 2025-3-28 12:47:16
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