凶残 发表于 2025-3-26 22:48:47

https://doi.org/10.1007/978-3-658-10495-5d three times a week among Danish Pakistani Sufi brothers who follow the transnational . (path, order) called Naqshbandi Mujadiddi Saifi, named after the late shaykh Saif ur-Rahman, who passed away in 2010 and has his shrine at the outskirts of Lahore in Pakistan. At the . gatherings, young . (follo

词汇表 发表于 2025-3-27 03:26:18

Corporate Social Capital and Liabilitynsations emerge in and traverse the dynamic hybrid of flesh and space. Dance floors are also notoriously difficult to write about (Gibbs, 2008; McCormack, 2008), not least if we have an ambition also to account for the embodied practices and experiences of a person’s dancing while intoxicated with a

发源 发表于 2025-3-27 05:49:27

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VAN 发表于 2025-3-27 13:16:49

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初次登台 发表于 2025-3-27 15:35:57

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interference 发表于 2025-3-27 19:02:39

Mohammad Badrul Haider,Katsuhiko Kokubu have to do with the empirical? The question ‘What is the empirical?’ is one that I have already posed in a collection with this title that I coedited with Lisa Adkins (Adkins and Lury, 2009). One of the contributions — that by Patricia Clough — provides a helpful starting point for me in returning

HATCH 发表于 2025-3-28 01:14:19

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BLUSH 发表于 2025-3-28 04:30:08

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含水层 发表于 2025-3-28 10:19:15

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多产鱼 发表于 2025-3-28 11:22:47

Diasporic Montage and Critical Autoethnography: Mediated Visions of Intergenerational Memory and theoughout this paper, I unpack this discussion and demonstrate how the existence and composition of this very chapter, in fact, embodies my autoethnographic act of creating a ‘diasporic montage’. One key question I ask is: Can such methodologies ‘see’ ghosts, the forgotten, and the unseen?
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查看完整版本: Titlebook: Affective Methodologies; Developing Cultural Britta Timm Knudsen,Carsten Stage Book 2015 The Editor(s) (if applicable) and The Author(s) 2