战神
发表于 2025-3-21 19:13:21
书目名称Affect and Belonging in Contemporary Spanish Fiction and Film影响因子(影响力)<br> http://figure.impactfactor.cn/if/?ISSN=BK0150604<br><br> <br><br>书目名称Affect and Belonging in Contemporary Spanish Fiction and Film影响因子(影响力)学科排名<br> http://figure.impactfactor.cn/ifr/?ISSN=BK0150604<br><br> <br><br>书目名称Affect and Belonging in Contemporary Spanish Fiction and Film网络公开度<br> http://figure.impactfactor.cn/at/?ISSN=BK0150604<br><br> <br><br>书目名称Affect and Belonging in Contemporary Spanish Fiction and Film网络公开度学科排名<br> http://figure.impactfactor.cn/atr/?ISSN=BK0150604<br><br> <br><br>书目名称Affect and Belonging in Contemporary Spanish Fiction and Film被引频次<br> http://figure.impactfactor.cn/tc/?ISSN=BK0150604<br><br> <br><br>书目名称Affect and Belonging in Contemporary Spanish Fiction and Film被引频次学科排名<br> http://figure.impactfactor.cn/tcr/?ISSN=BK0150604<br><br> <br><br>书目名称Affect and Belonging in Contemporary Spanish Fiction and Film年度引用<br> http://figure.impactfactor.cn/ii/?ISSN=BK0150604<br><br> <br><br>书目名称Affect and Belonging in Contemporary Spanish Fiction and Film年度引用学科排名<br> http://figure.impactfactor.cn/iir/?ISSN=BK0150604<br><br> <br><br>书目名称Affect and Belonging in Contemporary Spanish Fiction and Film读者反馈<br> http://figure.impactfactor.cn/5y/?ISSN=BK0150604<br><br> <br><br>书目名称Affect and Belonging in Contemporary Spanish Fiction and Film读者反馈学科排名<br> http://figure.impactfactor.cn/5yr/?ISSN=BK0150604<br><br> <br><br>
Trabeculoplasty
发表于 2025-3-21 22:04:44
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反感
发表于 2025-3-22 01:14:21
,History and Trauma at the Crossroads: Guillermo del Toro’s , and Isabel Coixet’s ,,e lines between contextual subjectivity and notions of universal being, proposing a reconciliation of these two modes of being in order to work through past traumas, as well as to combat authoritarianism in all its guises. Unlike the fictions in the previous chapter, characters in these films are ul
绅士
发表于 2025-3-22 07:00:16
,Synthetic Skins: Mercedes Cebrián’s , (,) and Pedro Almodóvar’s , (,),e film endings in the last chapter, I explore here a context of ambivalent social liberation with new challenges: the call of postmodern consumer culture to continually shape one’s own lifestyle, to become one’s desires . Cebrián parodies this consumerist culture in contemporary Spain and Almodóvar’
配置
发表于 2025-3-22 11:40:29
,Unraveling Cultures: Alejandro González Iñárritu’s , and Najat El Hachmi’s , (,),Barcelona’s interwoven border crossroads of social class, cultural origin, and economic exchange—attempting to assert patriarchal control and manage the wellbeing of his family and the immigrants he employs. The Amazigh-Catalan protagonist of . navigates her internal migrant crossroads. Patriarchy i
使纠缠
发表于 2025-3-22 16:01:05
,Unsheltered: Pablo Berger’s , (,) and Jesús Carrasco’s , (,), based on deterministic identity discourses but rather seeking to engage characters and audience/readers in a direct affective relation with the landscapes and people they portray. Invoking the current financial crisis in Spain and new social movements, I argue that the specter of past suffering and
高调
发表于 2025-3-22 17:14:19
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凝乳
发表于 2025-3-23 01:17:28
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字谜游戏
发表于 2025-3-23 03:33:37
Corporate Foundation als PR-Instrumenttities meet universal being and imminent embodied consciousness. I define affective belonging through a number of perspectives on intersubjectivity: affect theory, psychoanalysis compared to John Bowlby’s attachment theory, recent neuroscience, gender frameworks, and Buddhist Mindfulness.
脱离
发表于 2025-3-23 06:47:09
Corporate Fraud Comparison Across Industriest the films end on ambivalent notes, showing that the assemblage is never complete, never seamless. Their endings invoke the affective complexity—joy and sadness, togetherness and separateness—of subjective experience.