Capitulate
发表于 2025-3-25 05:44:17
Interdisciplinary Application of Symmetry Phenomenaals (three dimensions), then extended to the even coverage of surfaces (sphere and symmetric flat-faced polyhedra)..At second, there is mentioned that symmetry operations appear in algebra and arithmetic as well. The paper presents how the translation of the natural numbers and their sequences appea
轻率看法
发表于 2025-3-25 08:48:09
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观点
发表于 2025-3-25 15:40:36
The Grid: As a Starting Point and an End Point of Ornamentntury, the Western aesthetics limited to the simple grid formed by horizontal and vertical lines. This chapter reflects on the history and the heritage of the ornament discussions focusing especially on the role of geometrics in the conceptions of ornament.
无关紧要
发表于 2025-3-25 16:12:53
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BARGE
发表于 2025-3-25 21:59:06
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inflate
发表于 2025-3-26 00:16:47
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crumble
发表于 2025-3-26 06:14:27
Markenidentitäten wirksam umsetzenthere are at least three ways in which mathematics, over the past century, has attracted the attention of artists: as tool, as subject matter, and as ideal. It is the latter—mathematics as intellectual ideal and practice—which, it is argued, explains why interest in the relation between mathematics
Paleontology
发表于 2025-3-26 11:35:37
Werner Süss,Ansgar Zerfaß,Lisa Dühring M.A.als (three dimensions), then extended to the even coverage of surfaces (sphere and symmetric flat-faced polyhedra)..At second, there is mentioned that symmetry operations appear in algebra and arithmetic as well. The paper presents how the translation of the natural numbers and their sequences appea
孵卵器
发表于 2025-3-26 14:46:50
The Privilege and Position of Managementdo Bendzane, whom the author met at the market in Palmeira, Mozambique. Bendzane has invented and explored a great variety of designs by changing the regular weaving texture through the introduction of lines of discontinuity or by using colored strips.
ACRID
发表于 2025-3-26 20:39:29
The Privilege and Position of Managementntury, the Western aesthetics limited to the simple grid formed by horizontal and vertical lines. This chapter reflects on the history and the heritage of the ornament discussions focusing especially on the role of geometrics in the conceptions of ornament.