children
发表于 2025-3-21 18:00:39
书目名称Aesthetics and the Iconoclasm of Contemporary Art影响因子(影响力)<br> http://figure.impactfactor.cn/if/?ISSN=BK0150585<br><br> <br><br>书目名称Aesthetics and the Iconoclasm of Contemporary Art影响因子(影响力)学科排名<br> http://figure.impactfactor.cn/ifr/?ISSN=BK0150585<br><br> <br><br>书目名称Aesthetics and the Iconoclasm of Contemporary Art网络公开度<br> http://figure.impactfactor.cn/at/?ISSN=BK0150585<br><br> <br><br>书目名称Aesthetics and the Iconoclasm of Contemporary Art网络公开度学科排名<br> http://figure.impactfactor.cn/atr/?ISSN=BK0150585<br><br> <br><br>书目名称Aesthetics and the Iconoclasm of Contemporary Art被引频次<br> http://figure.impactfactor.cn/tc/?ISSN=BK0150585<br><br> <br><br>书目名称Aesthetics and the Iconoclasm of Contemporary Art被引频次学科排名<br> http://figure.impactfactor.cn/tcr/?ISSN=BK0150585<br><br> <br><br>书目名称Aesthetics and the Iconoclasm of Contemporary Art年度引用<br> http://figure.impactfactor.cn/ii/?ISSN=BK0150585<br><br> <br><br>书目名称Aesthetics and the Iconoclasm of Contemporary Art年度引用学科排名<br> http://figure.impactfactor.cn/iir/?ISSN=BK0150585<br><br> <br><br>书目名称Aesthetics and the Iconoclasm of Contemporary Art读者反馈<br> http://figure.impactfactor.cn/5y/?ISSN=BK0150585<br><br> <br><br>书目名称Aesthetics and the Iconoclasm of Contemporary Art读者反馈学科排名<br> http://figure.impactfactor.cn/5yr/?ISSN=BK0150585<br><br> <br><br>
物种起源
发表于 2025-3-21 22:18:44
Die Umsetzung: Ihr Buch entsteht,de in the realized space and the era of the technological environment. A picture without a world is nothing but an essential ontological definition of the events that determined the twentieth century—the emergence of the technosphere. When a technologically produced image dominates over language, ev
pester
发表于 2025-3-22 00:28:31
Dienstleister publizieren Expertenwissen,cture no longer emerges as a reflection or appearance of objectivity. The iconoclasm of the avant-garde appears not as a mere protest against the appearance of the human body from aesthetics due to the impossibility of portraying a human figure in a new image of reality by the invention of photograp
Toxoid-Vaccines
发表于 2025-3-22 05:22:42
Garant für Authentizität und Glaubwürdigkeiternet), as an autopoietic visual system. In this way, the world is understood pre-ontologically. The picture of a man on the scene precedes speech and text. It is an information-communication circuit. So, it is no longer mimetic or reflecting reality, nor representing a changed reality, but rather g
有助于
发表于 2025-3-22 09:31:14
Brückenschlag in digitale Weltenopenness of the world as meaning, starting from the possibility of imitating something that can only be (re)presented in the equation between the ., the figure and the image. . thus (re)presents an existential event of novelty in the world. In Nancy’s narrative, it becomes abundantly clear that the
引起痛苦
发表于 2025-3-22 13:16:48
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旁观者
发表于 2025-3-22 20:22:27
Brückenschlag in digitale Weltenpecially his oil painting . in 1931, and the conceptual works of the German artist Hanne Darboven. The time of surrealistic painting and the time of conceptual art (Dalí—Darboven) are two different times that arise from two different epochal features of the Being. In the former case, it is the disco
VOC
发表于 2025-3-23 00:45:39
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Commonwealth
发表于 2025-3-23 04:31:45
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epidermis
发表于 2025-3-23 05:45:59
Žarko PaićBrings forth the idea that a new aesthetics must be understood as the construction of virtual worlds, not as a description of reality.Focuses on the radical transformation of metaphysics into cybernet