vertebrate
发表于 2025-3-23 10:21:56
Neuroaesthetics as an Enactive Enterprisend emotions of recent years that is especially apt to integrate and synthesize neuroaesthetic research. Finally, it will be shown that recent research foci in neuroaesthetics already indicate the benefits and fruitfulness of what can be called a ‘front-loaded’ enactive approach to aesthetic phenomena.
Surgeon
发表于 2025-3-23 16:59:41
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连锁,连串
发表于 2025-3-23 19:57:06
Meaning-Making as a Socially Distributed and Embodied Practicebodied action and gesture as a helping hand in shaping, expressing and sharing thoughts, and (4) the body as a representational device. The theoretical discussions are illustrated with an example from a case study of embodied social interaction “in the wild”, with a focus on the importance of cross-
collagen
发表于 2025-3-24 00:00:33
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失望未来
发表于 2025-3-24 02:51:57
Ecological Embodiment, Tragic Consciousness, and the Aesthetics of Possibility: Creating an Art of Lproblems facing them, whether locally or globally. Finally, this chapter will argue for the need of an aesthetics of possibility and an art of living that responds to our existential realities while cultivating meaning and working to enrich our lives. In doing so, it will draw upon not only John Dew
事情
发表于 2025-3-24 09:32:00
Emotionally Charged Aesthetic Experiencein contemporary naturalism. Further, the pragmatist conception of experience must be clearly distinguished from the traditional notion of experience as sense experience. Action and practice are modes of experiencing and understanding the world. The third topic concerns the naturalistic denial of any
ALIEN
发表于 2025-3-24 14:37:39
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澄清
发表于 2025-3-24 14:54:38
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superfluous
发表于 2025-3-24 19:08:14
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concubine
发表于 2025-3-25 01:05:36
The Experience of Literariness: Affective and Narrative Aspectss support to the claim that the early response to foregrounding, occurring less than 500 milliseconds after the encounter with a word, is likely to be characterized by feeling. The last section of the chapter reports on the ambiguities of the unreliable first person narrator of Graham Greene’s short