Favorable
发表于 2025-3-26 23:30:17
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猛烈责骂
发表于 2025-3-27 03:23:23
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habile
发表于 2025-3-27 08:19:42
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确定
发表于 2025-3-27 13:23:48
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英寸
发表于 2025-3-27 14:00:43
The Morphology of Cultural Consumption Repertoiresnal products. Cosmopolitan openness is largely governed by the . process—a concept we propose in this chapter—rather than the overall intensity of youth cultural consumption. It entails the categorization of cultural products according to their national origins and their attributed aesthetic charact
有抱负者
发表于 2025-3-27 20:04:58
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匍匐
发表于 2025-3-27 22:21:54
Five Configurations of Aesthetico-Cultural Cosmopolitanism serve as a measurement standard; in fact, the various combinations, degrees, and levels of cosmopolitanism that are observed may be reversible, since they are shaped equally by real aesthetic experiences and symbolic relationships with the world, its objects, and cultural representations. A number
inveigh
发表于 2025-3-28 05:15:00
Conclusion to Part I: A Continuum of Configurationst any particular intentionality (inadvertent cosmopolitanism, 34%); the second is engagement, which can take two forms (specific cosmopolitanism, which occurs primarily through reading, 32%; and cosmopolitan fandom, which is marked by a general stance of openness to diversity, 17%); the third respon
最高峰
发表于 2025-3-28 06:52:07
Omnivorism and Aesthetico-Cultural Cosmopolitanism, this chapter reveals how a new approach to univorism can shed light on cosmopolitan phenomena (and perhaps, also on more broadly cultural phenomena) that seem to contradict the cumulative logic of omnivores: some great amateurs are cosmopolitan univores. Nonetheless, both perspectives share a stro
Cervical-Spine
发表于 2025-3-28 14:29:02
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