sultry 发表于 2025-3-25 05:58:19

Marianna Marchesi,Dominik T. Mattve a tangential relationship with their classical sources. The chapter explores the status of outsiders and transgressors in their own national cultures, as well as considering some of the scandals and traumas that have displaced Ireland’s dependence on traditional religion and national politics in the contemporary era.

ARK 发表于 2025-3-25 08:59:23

https://doi.org/10.1007/978-94-015-8867-6modern Britain, most specifically scandals in the British royal family and the wider disintegration of the traditional family. In this way, Kane is seen to take an ancient myth and adapt it to her own context and landscape, analysing the nature of tragedy and exploring the resonant echoes between the two texts and the two eras.

使残废 发表于 2025-3-25 11:48:00

AFS Topology and Its Applicationssome of the slipperiness of adaptation definitions, asking what textual shifts might constitute adaptation, and which would be better defined as modernisation, suggesting a shift in the temporal setting of the play rather than a geographical one.

anticipate 发表于 2025-3-25 19:46:28

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打火石 发表于 2025-3-25 21:30:22

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Frequency-Range 发表于 2025-3-26 02:16:18

Brian Friel: Translating/Adapting Russia onto the Irish Stage,978-94-017-0191-4

Vertebra 发表于 2025-3-26 04:17:33

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利用 发表于 2025-3-26 09:40:40

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杠杆支点 发表于 2025-3-26 14:32:58

Patrick Marber: The Politics of Sexuality in the Reimagining of European Classics,978-3-7091-6564-5

Preserve 发表于 2025-3-26 19:25:57

,“An Interlude”: Adaptation , Nation: Ivan Turgenev and Brian Friel’s , and Patrick Marber’s ,,978-3-642-57043-8
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查看完整版本: Titlebook: Adaptation and Nation; Theatrical Contexts Catherine Rees Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 national theatre.