皱痕 发表于 2025-3-23 13:01:01

http://reply.papertrans.cn/15/1444/144320/144320_11.png

皱痕 发表于 2025-3-23 15:03:22

http://reply.papertrans.cn/15/1444/144320/144320_12.png

Extricate 发表于 2025-3-23 21:16:31

http://reply.papertrans.cn/15/1444/144320/144320_13.png

Conquest 发表于 2025-3-23 23:53:11

http://reply.papertrans.cn/15/1444/144320/144320_14.png

phase-2-enzyme 发表于 2025-3-24 03:57:20

https://doi.org/10.1007/978-3-642-79554-1e and intelligence of their bodies, and their linguistic abilities in dialogue and communication with one another, as well as the art within their repetitions. All of these qualities and skills are accompanied by a physical feeling of not being the sovereign subject of one’s own acting. The embodied

violate 发表于 2025-3-24 09:28:43

W. Seiffert,B. Buttker,J. Schneiderace on stage is a transformation at play with truth. Heiner Müller called it a symbolic death, the most central event of the theater. Its most fundamental and most intimate impact stems from the fear, shared by audience and actors, of the caesura of death and the horror of the definitive loss of our

避开 发表于 2025-3-24 13:51:14

http://reply.papertrans.cn/15/1444/144320/144320_17.png

cavity 发表于 2025-3-24 18:55:40

http://reply.papertrans.cn/15/1444/144320/144320_18.png

蚀刻 发表于 2025-3-24 19:41:56

http://reply.papertrans.cn/15/1444/144320/144320_19.png

Root494 发表于 2025-3-25 00:20:58

http://reply.papertrans.cn/15/1444/144320/144320_20.png
页: 1 [2] 3 4 5
查看完整版本: Titlebook: Actors and the Art of Performance; Under Exposure Susanne Valerie Book‘‘‘‘‘‘‘‘ 20161st edition The Editor(s) (if applicable) and the Author