FILTH 发表于 2025-3-25 07:15:09
Linear and Nonlinear Processes,attered Irish officers not only across partitioned Ireland, but also to Britain and the overseas empire. The prominent role taken by Irish officers in the government of Northern Ireland is discussed, as are the prospects facing ex-officers in the Irish Free State. The question of how prominent formecanonical 发表于 2025-3-25 11:30:59
http://reply.papertrans.cn/15/1430/142966/142966_22.png指数 发表于 2025-3-25 15:39:16
http://reply.papertrans.cn/15/1430/142966/142966_23.png陈旧 发表于 2025-3-25 19:03:45
Some Applications of Univariate ARCH Models,ountries’ political, as well as literary, histories.ContribuThis book explores the perception of modern Greek landscape and poetry in the writings of Seamus Heaney and Derek Mahon. Delving into travel writing, ecocriticism, translation and allusion, it offers a fresh comparative link between Greek mDeject 发表于 2025-3-25 20:13:16
http://reply.papertrans.cn/15/1430/142966/142966_25.pngIngratiate 发表于 2025-3-26 02:59:16
http://reply.papertrans.cn/15/1430/142966/142966_26.png以烟熏消毒 发表于 2025-3-26 08:03:49
http://reply.papertrans.cn/15/1430/142966/142966_27.pngtendinitis 发表于 2025-3-26 11:50:12
Equilibrium Models,o of the Irish Literary Theatre. His essay called in question any simple identification of the 1990s Abbey with the starting-out National Theatre Society, highlighting elements of continuity but also of marked difference. Any attempt to spot ‘trends’ at a given moment in theatrical history must nece改正 发表于 2025-3-26 13:31:31
Back Matterappeared before various tribunals and, particularly in the eighteenth century, become more visible as denunciators, witnesses and even interpreters. The Irish females who appear in the Inquisition records, like their male counterparts, were members of small migrant groups, with high levels of socialExpurgate 发表于 2025-3-26 19:56:22
Front Matterial battle could be fought. The Gothic genre has been concerned with masculinity since its inception. Horace Walpole’s . (1764) begins with an enormous helmet crushing delicate, weakly Conrad, a poor excuse for a man, as if to warn against alternatives to hegemonic masculinity, and ends with Alphons