charity 发表于 2025-3-21 18:45:24

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circumvent 发表于 2025-3-21 22:03:49

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conscribe 发表于 2025-3-22 02:04:33

https://doi.org/10.1007/978-3-0348-7848-7ften individual actor, confronting spectators with ethical choices and directly inviting them to remember. The artistic ‘lieux de mémoire’ (after Pierre Nora) of . challenged the organization of the past as propounded by the history of the nation, and sought to reinscribe the narrative of the future

investigate 发表于 2025-3-22 06:15:31

Peter Moldéus,Roger Larsson,David Rosssion in a heroin epidemic that wreaked havoc on a whole generation of local residents. In addition, the production gestured to the 1974 loyalist car bomb that brought death and destruction in Talbot Street on the Monto’s southern perimeter. The performance captured the chaos of street life before le

Infant 发表于 2025-3-22 10:54:12

Prostaglandins, Leukotrienes, and Cancer of a globalized inner city. While spectators encountered local residents who looked to the future with no regrets for the past, and sought solace in a fortune teller’s business of hope for the future, the migrants we later encountered were reminiscent of Michel de Certeau’s ‘invisible practitioners

Pigeon 发表于 2025-3-22 14:05:55

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Cardioversion 发表于 2025-3-22 20:33:54

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Ornament 发表于 2025-3-22 22:48:56

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Defiance 发表于 2025-3-23 01:25:56

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FUSC 发表于 2025-3-23 08:21:00

The Editor(s) (if applicable) and The Author(s) 2016
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查看完整版本: Titlebook: ANU Productions; The Monto Cycle Brian Singleton Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Irish theatre.contemporary