CAND
发表于 2025-3-26 23:09:53
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议程
发表于 2025-3-27 02:39:30
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渐变
发表于 2025-3-27 08:30:06
The Antipositivism of Critical Theorytory beginning with the story’s origins in Prague, 1580, and theorizes the rise of its popularity during and immediately after World War I. The red-haired golem appears in numerous films as early as 1912 and as recent as 2019. Finally, the chapter gives an in-depth analysis of the symbolism of red hair in Peter Ackroyd’s . (1994).
从容
发表于 2025-3-27 11:35:42
The Antipositivism of Critical Theorybversion of sexual mores. Red-haired men and women proliferate Morton’s . (2008) and . (2018), often referring to the redheads in fairy tales, in particular, Grimm Brothers’ version of “Rapunzel,” which this chapter explores. Also discussed (minimally) is Morton’s . (2008).
Anhydrous
发表于 2025-3-27 17:40:16
https://doi.org/10.1007/978-94-015-7678-9i that provided the basis of Pamuk’s novel. The chapter then studies men and women of red hair in the ancient poem of India, the .; followed by the “red-haired Fan” in China’s second-century .. The reaction to redheads throughout the history of countries in the East and Africa are recorded and explored.
Ambulatory
发表于 2025-3-27 21:38:15
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就职
发表于 2025-3-27 22:49:41
https://doi.org/10.1007/978-3-030-83515-6redhead; red hair; Neo-Victorian; Neo-Gothic; hair in literature; pre-Raphaelites; devil in literature
Blanch
发表于 2025-3-28 05:58:28
978-3-030-83517-0The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
Magisterial
发表于 2025-3-28 08:21:15
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圣人
发表于 2025-3-28 10:36:47
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