Spartan
发表于 2025-3-23 11:57:27
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MAL
发表于 2025-3-23 15:06:33
https://doi.org/10.1007/978-1-349-06469-4Britain; dream; history of literature; literature; poetics; poetry; British and Irish Literature
Resection
发表于 2025-3-23 20:51:11
Macmillan Publishers Limited 1983
irreparable
发表于 2025-3-24 02:12:59
“American Livestock, Now Slaves in Algiers” old Mendelssohn bosky dell tradition, producing . has become a problem again’ (., 5 June 1959). The problem was to find an alternative to the traditional approach which had prevailed for ‘a century or so’. This approach is usefully characterised in T. C. Kemp’s account of Michael Benthall’s 1949 Stratford production. He found it
Fabric
发表于 2025-3-24 04:08:15
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foodstuff
发表于 2025-3-24 06:57:00
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xanthelasma
发表于 2025-3-24 12:48:46
https://doi.org/10.1057/9781137377173vision production in 1981, directed by Elijah Moshinsky, who had been responsible for a brilliant . . earlier in the same series. He had created the strong sense of a real society, which . requires, by basing it visually on seventeenth-century paintings; and he made use of similar images to give his . a solid context.
morale
发表于 2025-3-24 14:55:45
https://doi.org/10.1057/9781137463302fierce domestic quarrel. If the audience has any preconceptions about fairies being remote or ethereal or insipid, the vigorous opening phrases of these particular fairies should quickly banish any such expectations: ‘What, . Oberon’, ‘I have . his bed’, ‘Tarry, . . !’ [. i 60–3]. They accuse each o
Pastry
发表于 2025-3-24 20:45:49
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Subdue
发表于 2025-3-25 00:14:50
Conclusion: The Boomerang of Savagery, on to people’s . to make them fall in love is so appropriate an image of human infatuation. The action of the play draws attention to the dangers and confusions which result when lovers dote on outward appearances — and not only under fairy influence. Before the play starts, Demetrius has switched