Congestion
发表于 2025-3-25 03:20:57
Niko Moritz,Stefan Goetze,Jens-E. Appellasoning in multiplicative conceptual domains, beyond the elementary school, is central in the mathematics and science education-related work of Robert Karplus. About 30 years ago, at a time when the emphasis in mathematics and science education research was on students’ achievement test scores and r
水獭
发表于 2025-3-25 09:35:50
https://doi.org/10.1007/978-3-642-18167-2plied to his work as a professor of physics. His work with Herb Thier on the SCIS project in 1963 lead him to offer his first thoughts on how the teaching of physics ought to be based on an understanding of the conceptual structure of physics. (See the reprint Karplus, 1966.)
MORT
发表于 2025-3-25 14:01:29
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使成波状
发表于 2025-3-25 16:15:03
Alessandro Manzi,Filippo Cavallo,Paolo Dariohen she arrived at her new campus, she was told that she should have a conversation about Karplus with a famous physicist on that campus. So she did. The famous physicist happened to be a fairly taciturn person with little interest in education.
粗鲁的人
发表于 2025-3-25 22:28:53
Lecture Notes in Electrical Engineeringalmost exclusively on elementary school science materials for the rest of the 1960’s. He did maintain his professional activity in physics as a member of the physics faculty of the University of California, Berkeley, but his last productive year in theoretical physics was 1962 and he co-authored jus
BROW
发表于 2025-3-26 03:35:25
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吗啡
发表于 2025-3-26 06:29:44
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compel
发表于 2025-3-26 11:33:05
Alessandro Manzi,Filippo Cavallo,Paolo Dariohen she arrived at her new campus, she was told that she should have a conversation about Karplus with a famous physicist on that campus. So she did. The famous physicist happened to be a fairly taciturn person with little interest in education.
其他
发表于 2025-3-26 14:47:45
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Albumin
发表于 2025-3-26 17:43:43
The Learning Cycle, des Musiktheaters ist als weitgehend direktiv zu bezeichnen. Dies betrifft speziell den Führungsstil der künstlerischen Bühnenvorstände wie Dirigent, Regisseur, Chordirektor und Ballettdirektor gegenüber den künstlerischen Mitwirkenden wie Orchestermusiker, Chorsänger und Tänzer. Künstlerische Führ