CURD
发表于 2025-3-21 19:09:21
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声明
发表于 2025-3-21 22:36:18
Introductions a sequence of events, these . are only poorly understood as to their causes. Historians have been concerned above all with narrative accounts, which describe events without attempting to explain them.. They have extracted a fairly accurate account of these colourful events from confused and often
到婚嫁年龄
发表于 2025-3-22 01:39:05
Peasant Lifeoot of the problem lay in the similarities of the French and Italian characters. ‘The skin of the Frenchman is as sensitive as the skin of the Italian’, he argued; as a result, it was precisely when the French and Italian authorities met directly, ‘when we should have “understood” each other, that t
围裙
发表于 2025-3-22 07:54:02
Urban Lifeenance. Some types of production were subject to detailed regulations, and major product markets were regulated by national ‘offices’ which attempted to stabilise production levels and prices. In 1957, after intense lobbying by the dominant farm union, the FNSEA (.) price indexation for key agricult
CODE
发表于 2025-3-22 09:01:08
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chemical-peel
发表于 2025-3-22 16:15:23
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首创精神
发表于 2025-3-22 20:55:50
Foreign Policy under François I and Henri IIned the various disadvantages under which women laboured. In 1971 de Beauvoir’s name appeared at the top of a petition in favour of the legalization of abortion: all the 343 signatories claimed that they themselves had undergone abortions. It would be possible to present the period between these two
编辑才信任
发表于 2025-3-22 22:01:23
Domestic Politics under François I and Henri IIlicies of de Gaulle in particular served as a point of reference for his successors. This chapter seeks to tease out the main strands of the Alliance policy which was to be inherited by François Mitterrand. It is divided into three sections. The first seeks to clarify the nature of French relations
不透气
发表于 2025-3-23 05:07:49
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Occupation
发表于 2025-3-23 07:22:44
Introduction to Part III, recently returned from a trip abroad. The trip had taken her to Italy, and had introduced her to a circle of feminist women artists based in Rome, including the woman who would become her life-long partner, Welsh sculptor Mary Lloyd. In 1862, living in London on a £200 inheritance from her father,