Clinton 发表于 2025-3-21 17:33:13

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Fortuitous 发表于 2025-3-21 22:17:22

,Anti-Culture: Art of Cultural Revolution (1966–1976),y period, it was produced art on street (mainly by Red Guards), then it was made in ideological temples, expediting the "God-Building Campaign." However, there were artists who created alterative art during this turbulent age which diverted from the mainstream toward de-ideological or underground ar

障碍物 发表于 2025-3-22 02:19:25

,An Art Hurricane: The Avant-Garde Movement (1985–1989),cies in the movement, namely, Rationalist Painting, Current of Life and Anti-art, which were natural allies of Hermeneutics School, one of the main opinion groups which made up the Cultural Fever, because they shared the goal of subverting hegemonic discourse and building a new and enlightened cultu

esthetician 发表于 2025-3-22 06:47:22

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修正案 发表于 2025-3-22 11:11:06

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全部逛商店 发表于 2025-3-22 16:35:48

Michaela Fenske,Leonore Scholze-Irrlitzrge-scale sculpture created ideological theaters in ppublic space, while propoganda posters helped visualize absurdity. All the arts served proletarian politics and its ideological basis in order to build a visual utopia.

opinionated 发表于 2025-3-22 17:32:23

CF Sweat and the Matilda Effectre in China. The historical exhibition ., held in the National Art Museum of China in 1989, summerized the movement and generated a great cultural shock to both Chinese and international audiences through its unplanned actions, including gunshots. This chapter also discusses artworks outside of Action Arts, a critical part of the show.

恶心 发表于 2025-3-22 23:38:45

,Visual Utopia: Art in the Seventeen Years (1949–1966),rge-scale sculpture created ideological theaters in ppublic space, while propoganda posters helped visualize absurdity. All the arts served proletarian politics and its ideological basis in order to build a visual utopia.

表皮 发表于 2025-3-23 02:05:43

,An Art Hurricane: The Avant-Garde Movement (1985–1989),re in China. The historical exhibition ., held in the National Art Museum of China in 1989, summerized the movement and generated a great cultural shock to both Chinese and international audiences through its unplanned actions, including gunshots. This chapter also discusses artworks outside of Action Arts, a critical part of the show.

痛恨 发表于 2025-3-23 06:20:20

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