愤慨点吧
发表于 2025-3-27 00:58:17
Reading and Interviewing of Alice Munro,r by Jacques Copeau in its initial stage.. Although the form that collective creation took from the beginning is familiar to us from its later incarnations in the1960s and beyond, the concerns of collective creation à la Copeau were more theatrical than political. Its emergence was closely tied to e
Banquet
发表于 2025-3-27 01:38:08
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objection
发表于 2025-3-27 05:35:44
Pholksphest der Experimentalphysik, period span-ning the 1950s into the 1980s); it is not our goal to retread that ground. Rather, we wish to explore certain salient themes chacterizing this period of theatrical experimentation. Predominant among them is the question of influence, or rather, of a complex network of influences—local,
MEN
发表于 2025-3-27 12:32:01
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CAND
发表于 2025-3-27 16:57:39
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违法事实
发表于 2025-3-27 18:21:32
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草率女
发表于 2025-3-27 23:44:15
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Ascendancy
发表于 2025-3-28 05:53:00
Joy E. Morrow,Christopher Flavinates in the 1970s and 1980s: the San Francisco Mime Troupe; Lilith: A Women’s Theatre (San Francisco); and Family Circus Theater (Portland, Oregon). I was an ensemble member of both Family Circus Theater from 1973 to 1976 and of Lilith: A Women’s Theatre from 1978 to 1981. Family Circus modeled itse
AMBI
发表于 2025-3-28 09:07:03
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使绝缘
发表于 2025-3-28 13:59:06
Joy E. Morrow,Christopher Flavinid not experience it in the same fashion, nor did the movement have the same impact or meaning in different regional contexts. Associated with the counterculture movement that began with the Algerian War (1954– 62), peaking with the May’68 upheavals, and ending with the withdrawal of all American tr