乳钵
发表于 2025-3-21 19:23:49
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BARB
发表于 2025-3-21 23:43:48
https://doi.org/10.1057/9780230583689cinema; film; gender; women
自作多情
发表于 2025-3-22 00:59:22
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闪光你我
发表于 2025-3-22 07:49:48
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一致性
发表于 2025-3-22 12:04:33
Probleme des anästhesiologischen AlltagsEnglish (1983/1999; 1994/2000; 1994/2001; 1999/2002a; 2002b; 1985/2002c) and a number of monographs sketching the ongoing interest her work holds for feminists interested in the politics and philosophy of the feminine (Deutscher, 2002; Ives, 2003; Krappala, 2000; Martin, 2000; Stone, 2006), as well
Blatant
发表于 2025-3-22 16:53:08
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FORGO
发表于 2025-3-22 18:34:43
https://doi.org/10.1007/3-540-29978-5 pleasure and gender. This chapter will outline some of the key points of this debate in order to signal how questions of sexual difference and the specificity of the feminine have yet to be addressed adequately and it will suggest that Irigaray’s work on mediation can be used to formulate a new app
inspired
发表于 2025-3-23 00:03:05
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平常
发表于 2025-3-23 05:10:14
Atmung und Herzkreislauf in Narkosen of discourse’. . is intricately bound up with the mother-daughter relation and with modalities of exchange between mothers and daughters that could be used to structure a feminine genealogical relation between them. The films scrutinized in this chapter are structured, to varying extents, through
结束
发表于 2025-3-23 07:16:09
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