cerebellum
发表于 2025-3-21 19:50:30
书目名称A Companion to David Foster Wallace Studies影响因子(影响力)<br> http://figure.impactfactor.cn/if/?ISSN=BK0140269<br><br> <br><br>书目名称A Companion to David Foster Wallace Studies影响因子(影响力)学科排名<br> http://figure.impactfactor.cn/ifr/?ISSN=BK0140269<br><br> <br><br>书目名称A Companion to David Foster Wallace Studies网络公开度<br> http://figure.impactfactor.cn/at/?ISSN=BK0140269<br><br> <br><br>书目名称A Companion to David Foster Wallace Studies网络公开度学科排名<br> http://figure.impactfactor.cn/atr/?ISSN=BK0140269<br><br> <br><br>书目名称A Companion to David Foster Wallace Studies被引频次<br> http://figure.impactfactor.cn/tc/?ISSN=BK0140269<br><br> <br><br>书目名称A Companion to David Foster Wallace Studies被引频次学科排名<br> http://figure.impactfactor.cn/tcr/?ISSN=BK0140269<br><br> <br><br>书目名称A Companion to David Foster Wallace Studies年度引用<br> http://figure.impactfactor.cn/ii/?ISSN=BK0140269<br><br> <br><br>书目名称A Companion to David Foster Wallace Studies年度引用学科排名<br> http://figure.impactfactor.cn/iir/?ISSN=BK0140269<br><br> <br><br>书目名称A Companion to David Foster Wallace Studies读者反馈<br> http://figure.impactfactor.cn/5y/?ISSN=BK0140269<br><br> <br><br>书目名称A Companion to David Foster Wallace Studies读者反馈学科排名<br> http://figure.impactfactor.cn/5yr/?ISSN=BK0140269<br><br> <br><br>
空气
发表于 2025-3-22 00:02:27
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知识分子
发表于 2025-3-22 03:40:25
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敌意
发表于 2025-3-22 05:11:56
,“…”: Language, Gender, and Modes of Power in the Work of David Foster Wallace,978-3-322-92833-7
享乐主义者
发表于 2025-3-22 11:15:15
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凌辱
发表于 2025-3-22 16:30:53
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bibliophile
发表于 2025-3-22 19:41:58
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enumaerate
发表于 2025-3-22 21:43:47
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欢笑
发表于 2025-3-23 02:20:34
https://doi.org/10.1007/978-0-387-75510-6female characterizations, providing an oppositional balance with the forceful, dynamic males. Wallace’s women, who wield the influence if not the power, form the silent, shifting center around which his representations of masculinity can locate their stable orbits.
切碎
发表于 2025-3-23 08:45:16
Population and Community Dynamics,are not only alone inside their heads but also controlled, sometimes to the point of madness, by the layered, nested, entropic workings of their interiors. To quote the registered motto of O Verily Productions, a fictional company that figures prominently in “The Suffering Channel,” the collection’s