字的误用 发表于 2025-3-25 03:36:56
http://reply.papertrans.cn/104/10314/1031339/1031339_21.pngHyperplasia 发表于 2025-3-25 07:55:10
http://reply.papertrans.cn/104/10314/1031339/1031339_22.png变色龙 发表于 2025-3-25 12:39:26
http://reply.papertrans.cn/104/10314/1031339/1031339_23.pngTinea-Capitis 发表于 2025-3-25 17:36:27
http://reply.papertrans.cn/104/10314/1031339/1031339_24.pngxanthelasma 发表于 2025-3-25 22:38:20
http://reply.papertrans.cn/104/10314/1031339/1031339_25.png逃避责任 发表于 2025-3-26 03:00:57
The Performance Begins Her(e): The Auto/Biographical Sayers,eing itself becomes a scripted performance. She makes the same point in ., where an artist paints two very different women, both of whom do “not see” how they appear to others (53, 56). Here, however, the artist does “not see” as well, failing to recognize how the paintings reveal his own prejudices about the two women.Congruous 发表于 2025-3-26 07:32:29
http://reply.papertrans.cn/104/10314/1031339/1031339_27.png受人支配 发表于 2025-3-26 11:08:33
http://reply.papertrans.cn/104/10314/1031339/1031339_28.pngAggressive 发表于 2025-3-26 14:43:18
http://reply.papertrans.cn/104/10314/1031339/1031339_29.png彩色的蜡笔 发表于 2025-3-26 20:17:40
Book 2004gh modernism. Employing exuberant illustrations from Sayers‘ detective fiction to make theoretical issues accessible, the book employs insights from performance theory to argue that Sayers, though a popularizer, presciently anticipated the postmodern ironizing of Enlightenment rationality and scientific objectivity.