Adherent 发表于 2025-3-28 16:55:39
Normative, Descriptive, Suggestive—The Word in Scriabin’s Instrumental Musice abstract and the other significant. But for centuries, the word has been an integral part of notated music, not only for vocal, but also for instrumental works. Almost all musical works bear verbal titles, which are sometimes genre names (such as Suite, Sonata, Valse), but often individual inventi富饶 发表于 2025-3-28 19:41:24
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Hans Werner Henze’s Concept of ,. On the Historical Significance of Music for Social Progressnts from psychological, social and political reality is particularly evident in his music theatre works, but not only. The complexity of reality is also reflected in his concert music. The means of his . are manifold, they embrace sounds, rhythms. Instruments, musical motives from each genre and fro阉割 发表于 2025-3-29 08:10:45
Singing, Playing and Performing in Popular Music in the Age of Liquid Modernityn a field which is referred to as popular music. The theoretical framing of the present discourse represents postmodernism, especially the work by Zygmunt Bauman and his thesis about the liquid society as a metaphor for the social conditions of beginning of the third millennium, Jean-François LyotarExtricate 发表于 2025-3-29 13:30:02
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Book 2023ay communication alike. Presenting an in-depth systematical and historical analysis of the evolution of word and gesture art, it gives extensive information on the anthropological, biological, and physiological influences and interactions in music and beyond. The book gives a unique definition of thacrophobia 发表于 2025-3-30 01:06:09
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Love, Death, and Rhetoric. Meaningful Textual-Musical and Vocal-Instrumental Relationships in Giusepudy reveals much semantic complexity in the way in which text and music—and voices and instruments—interact in order to complement, underline, deepen, nuance, anticipate, and even contradict each other, according to what seems a carefully planned design by Verdi.