赞美
发表于 2025-3-21 16:34:30
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anticipate
发表于 2025-3-21 21:37:42
Textbook 1991Latest editionthe genre, and its part in the historical process of forging modern definitions of gender, class and race are analysed through critical readings and a discussion of readers‘ negotiations with the contradictory pleasures of the magazine, and its constricting ideal of femininity.
PAN
发表于 2025-3-22 01:25:46
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PRISE
发表于 2025-3-22 06:54:42
Theories of text and culture,ine. The heterogeneity of the magazine form, then, has its limits. Certain solutions and conclusions that might result from its representation of heterosexual relations are clearly not meant to be drawn. How does the women’s magazine demarcate and delimit its own ‘reading’ of femininity?
Cytology
发表于 2025-3-22 10:37:55
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调情
发表于 2025-3-22 15:26:58
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Dappled
发表于 2025-3-22 17:54:48
Introduction, the knowledge that this pleasure is by no means pure, unambiguous or unproblematic. The magazine is for us both an object of academic interest and an object of consumption. Reading women’s magazines can have exactly the same kind of effect as eating two or more bars of chocolate — the original crav
强制性
发表于 2025-3-23 00:31:18
Theories of text and culture, the magazine is one in which men and women are eternally in opposition, always in struggle, but always in pursuit of each other; relations between them are beset by difficulty, frustration and failure. Yet, possible solutions like the dissolution of two exclusive and opposed gender categories, or t
宠爱
发表于 2025-3-23 02:05:56
,Nineteenth-century women’s magazines,century later. By the mid-1870s there was a well-established sector of the magazine press explicitly targeted at women readers. Still small by modern standards, it grew rapidly in the next thirty to forty years. At least fifty new titles appeared between 1870 and 1900, and although some were shortli
Compatriot
发表于 2025-3-23 08:37:05
,1914 to 1988: twentieth-century women’s magazines,ers and their successors in the 1980s, which form the subject of our next. Our concern is to show how the patterns laid down in the past help to shape the modern women’s magazine, and also how it has departed from them. Here, as elsewhere in this book, we are limiting our discussion to commercial ma