Firefly
发表于 2025-3-28 18:11:55
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Overthrow
发表于 2025-3-28 20:17:46
The Lombard Silk-spinners in the Nineteenth Century: An Industrial Workforce in a Rural Setting now to bring together what in the past have constituted two distinct fields of research, ‘one into labour history, the other into the history of women; the one focusing on work and protest, the other on gender and work’ (Scott, 1984, p. 68).
Fecundity
发表于 2025-3-29 00:10:26
: Film and Fascist Concern with Motherhoodd elsewhere. Through a combination of images and intertitles, it constructs and disseminates dominant understandings of what being a mother entails and how this is understood, conceived, and valued by the fascist regime. The film draws upon and illustrates an ambiguity present in many accounts of mo
Corroborate
发表于 2025-3-29 05:06:07
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搏斗
发表于 2025-3-29 11:12:15
Shrewd and Wanton Women: Adultery in the , and theadulteresses to illustrate the qualities associated with the negative side of the Church’s two-fold representation of women: the temptress Eve rather than the Virgin Mary, and unredeemed fallen nature rather than divine grace. They were also among the sources of many . and of stories in later, lite
Coeval
发表于 2025-3-29 15:25:49
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Morose
发表于 2025-3-29 17:38:57
‘For Better, for Worse’: Elements of Irony and Reversal in Moravia’s of the novel becomes an exposition of his own moralising didacticism, for which he attempts to appropriate the text. He tells us, for example, that ‘true love is not exaltation, nor is it achieved in a state of trance. True love is that which Leda demonstrated to her husband, and which showed her in
pester
发表于 2025-3-29 21:05:43
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licence
发表于 2025-3-30 02:29:35
Matilde Serao’s ,: An Author in Search of a Characterd the world through her perception of her proper role as a woman’ (Howard, 1975, p. 55). Nor is Howard alone in thinking this way: several Italian critics have also assumed Serao’s portrayal of women to be a direct result, or reflection, of her publicly expressed views on women in society..
过于平凡
发表于 2025-3-30 05:15:20
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