Grievous
发表于 2025-3-21 16:59:05
书目名称Women Filmmakers in Contemporary Hindi Cinema影响因子(影响力)<br> http://impactfactor.cn/2024/if/?ISSN=BK1030163<br><br> <br><br>书目名称Women Filmmakers in Contemporary Hindi Cinema影响因子(影响力)学科排名<br> http://impactfactor.cn/2024/ifr/?ISSN=BK1030163<br><br> <br><br>书目名称Women Filmmakers in Contemporary Hindi Cinema网络公开度<br> http://impactfactor.cn/2024/at/?ISSN=BK1030163<br><br> <br><br>书目名称Women Filmmakers in Contemporary Hindi Cinema网络公开度学科排名<br> http://impactfactor.cn/2024/atr/?ISSN=BK1030163<br><br> <br><br>书目名称Women Filmmakers in Contemporary Hindi Cinema被引频次<br> http://impactfactor.cn/2024/tc/?ISSN=BK1030163<br><br> <br><br>书目名称Women Filmmakers in Contemporary Hindi Cinema被引频次学科排名<br> http://impactfactor.cn/2024/tcr/?ISSN=BK1030163<br><br> <br><br>书目名称Women Filmmakers in Contemporary Hindi Cinema年度引用<br> http://impactfactor.cn/2024/ii/?ISSN=BK1030163<br><br> <br><br>书目名称Women Filmmakers in Contemporary Hindi Cinema年度引用学科排名<br> http://impactfactor.cn/2024/iir/?ISSN=BK1030163<br><br> <br><br>书目名称Women Filmmakers in Contemporary Hindi Cinema读者反馈<br> http://impactfactor.cn/2024/5y/?ISSN=BK1030163<br><br> <br><br>书目名称Women Filmmakers in Contemporary Hindi Cinema读者反馈学科排名<br> http://impactfactor.cn/2024/5yr/?ISSN=BK1030163<br><br> <br><br>
Panther
发表于 2025-3-21 21:49:19
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迫击炮
发表于 2025-3-22 01:46:31
Revisioning Family Drama: The Global Spaces of Romance and Science Fiction in Honey Irani’s Storiesn the cinematic imagination and the distribution of Hindi films in the new century. Honey Irani’s contribution to this turn in Hindi cinema in terms of the spatial imagination of . and the genre of romance in her subsequent films needs further exploration. So do her creations of female and male char
为宠爱
发表于 2025-3-22 05:30:48
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强制性
发表于 2025-3-22 11:30:35
Farah Khan: Cinephilia, Nostalgia and Melancholia roles played by three key elements of her .: cinephilia, nostalgia and a deepening melancholia that underpins her signature style of dizzying, glossy cinema. These three elements cannot be de-linked from Khan’s gender or her religiously minoritised identity. Finally, the chapter deploys an intersec
Minikin
发表于 2025-3-22 14:27:11
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Parley
发表于 2025-3-22 18:41:55
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monologue
发表于 2025-3-23 01:03:33
Mira Nair and the Cinema of Postcolonial Spectacleediated a space for the performance of the postcolonial nation, even as cultural otherness accrues an eminently saleable commodity value in the global market. This chapter seeks to frame Mira Nair’s films in the context of shifting cultural economies of cinema in the last three decades and how the s
Truculent
发表于 2025-3-23 02:01:08
Figurations of Fallible Women: The Art and Act of Writing by Juhi Chaturvediweaving inter-textual connections, I argue that Chaturvedi’s interview and her films speak to each other, and alert us about a longer history of discreet interpositions shaped by women, and the ways in which women leak out as ‘authors’ of films. I enquire about the nature of film work, questions of
Dictation
发表于 2025-3-23 08:11:58
Queer Counter-narratives, Feminist Authorship, and the Inclusive Storytelling of Gazal Dhaliwal films for major themes dealing with acceptance and awareness around sexuality, dissembling gender norms associated with femininity and masculinity, and their overarching message of inclusivity. To underscore the cinematic and cultural significance of Dhaliwal’s films, I take theoretical recourse to